with over two decades of experience covering topics ranging from cultural heritage to conflict and the climate crisis. As a photographer for National Geographic, he has photographed over 30 feature stories. His work has also graced the pages of prominent publications such as The New Yorker, TIME, The New York Times, and Smithsonian, among others. In 20 years of assignments there were many that focused, on the causes and effects of the climate crisis; from Hurricane Katrina to Southern California Wildfires, the Bakken Oil field boom in North Dakota to the Tar Sands of Canada, and the global retreat of glaciers.

Starting with this image archive as the primary prompt, with only a single text addition for each piece (limited strictly to one historical wallpaper pattern name such as damask, chinoiserie, or toile de jouy), Huey employs a method that prioritizes visual content over verbal descriptions of the crisis. This approach allows the generative AI to engage more directly with the visual language of the original photography. The resulting wallpaper patterns, capable of an infinite and seamless tiling effect, emerge as a synthesis of documented moments and AI interpretation that is intrinsically tied to the original photographic evidence while evolving the output to a new aesthetic and distribution channel.

By offering these patterns as free downloads, Huey extends his archive's reach and impact, inviting a broader audience to engage with these transmuted images of crisis in their everyday spaces. The integration of climate change imagery into domestic and public environments, from boardrooms to bedrooms, creates a persistent, if veiled, reminder of our environmental challenges, blurring the lines between aesthetic appreciation and ecological awareness.